Community-Based Research in Art History

A Travelling Research/Training Program supported by the Getty

about

the project

The present project directly aligns with the aims of the Getty Connecting Art Histories initiative by bringing together art historians, archaeologists, anthropologists, museum professionals, conservation scientists, and traditional community leaders to train graduate students and improve methodological frameworks for community-based research in the field of art history in Latin America. Although the region is home to a myriad of traditional communities with their unique material culture, little has been done to establish solid collaborative approaches and methodological frameworks for community engagement in the field of art history in the region, as well as globally. 

This project brings together people from different disciplines and cultures to discuss, adapt, and apply frameworks and approaches of community-based research, focusing on the understanding, preservation, and dissemination of Indigenous and traditional arts and knowledge through sustained intellectual exchanges. It focuses on three traditional communities in Latin America (Tikuna, Marajó and Oaxaca), where the principal investigators have long-standing connections. This is a crucial condition for its development, since it can take years to create relations that support participatory research. 

A cohort of nine Indigenous and non-Indigenous graduate students will engage with Indigenous and non-Indigenous scholars and community members through one course, three field research activities, a workshop, and an open hybrid seminar. The project will produce academic and non-academic materials that can be adapted and applied globally.

CALL FOR APPLICATIONS

Tufts University, the University of California Los Angeles (UCLA), and the Universidad Nacional Autónoma de México (UNAM) invite applications from graduate students (MA and PhD candidates) for a unique two-year research/training program. Funded by the Getty Connecting Art Histories initiative, this program is designed for scholars in art history, conservation, museum studies, and related disciplines.

Program Vision

The program’s primary mission is to train a new generation of scholars to work in ethical, horizontal partnerships with traditional communities in Latin America. The project presents an interdisciplinary and intercultural approach, combining traditional knowledge, art history, community-based methods, and technical art history. By bridging theoretical discourses with hands-on fieldworks, participants will engage with ongoing participatory research in Marajó Island (Brazil), Tikuna Indigenous Territories (Brazil), and Oaxaca (Mexico).

Structure and Commitment

NINE students will be selected to compose a two-year cohort. Selected participants must commit to the full duration of the program (approx. 4 hours per week, plus travel).

PHASE 1 (Sept 2026 – Jan 2027)

A 5-month weekly theoretical online course, concluding with an in-person meeting in Manaus, Brazil.

PHASE 2 (Feb 2027 – July 2028)

Three successive semesters dedicated to site-specific case studies (Tikuna, Marajó, and Oaxaca). Each semester includes weekly activities and an approximately 10-day immersive field trip in each location (Benjamin Constant, Soure, and Oaxaca). Students won’t be responsible for the research developed in this program but will proactively contribute to research activities related to the communities under the supervision of the program’s directors for training purposes.

PHASE 3 (August 2028)

A final international seminar in Mérida, Mexico. Contributions from the congress will result in a formal academic publication.

A certificate of completion will be offered upon conclusion of the two-year cycle.

Funding and Support

This program is fully funded to ensure accessibility

Support includes:

● All travel expenses (airfare, local transportation, accommodation, and meals).
● A modest stipend for books and research-related expenses.

Eligibility and Languages

The working languages of the program are Spanish and Portuguese. Readings will be provided in English, Spanish, and Portuguese. Therefore, a working knowledge of these languages is essential. Priority will be given to Latin American students from Indigenous and African-descendant backgrounds and/or seriously connected to Indigenous or traditional communities. Students need to be enrolled in a graduate studies program in Latin America.

Application Requirements

To apply, please submit the following materials via cbrah.cah@gmail.com:

  1. Cover letter: (Between 500 and 1000 words) Detailing your interest in community-based research and how this program aligns with your academic goals.
  2. CV: (Max. 2 pages).
  3. Proof of enrollment: Current graduate student status.
  4. One letter of recommendation (preferably from your current advisor)

Application Deadline: June 30, 2026.
Notification of Results: August 1, 2026.

Project Chronogram

● Sept 2026 – Jan 2027: Course: Art History and Community-Based Research
Jan 2027: In-person meeting (Manaus, Brazil)
Feb – July 2027: Case Study I: Tikuna Colorants (Amazon)
Aug 2027 – Jan 2028: Case Study II: Marajoara Ceramics (Marajó Island)
Feb – July 2028: Case Study III: Indigenous Technologies (Oaxaca, Mexico)
August 2028: Final Seminar: “Community-Based Art History” (CEPHCIS-UNAM, Mérida)

Program Directors

in alphabetic order

Prof. Dr. Adam Sellen (UNAM)
Prof. Dr. Claudia Mattos Avolese (Tufts University)
Prof. Dr. Thiago Sevilhano Puglieri (UCLA)

previous experiences

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